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Julene Baker PSA: Pastel Artist
America
 

Julene's background comes from commercial advertising and ad design/production with various magazines and newspapers so she has always been able to make images catch the eye. She has an amazing ability to be able to capture the way sunlight hits flowers making them glow against their darker backgrounds.  

In 2004 she achieved signature status from the Pastel Society of America, of New York as well as being a member of the Ozark Pastel Society, Degas Pastel Society of New Orleans and the Artists of Northwest Arkansas. 


First Light, paste
First Light, pastell       

What age where you when you knew you wanted to be an artist?   I've loved art my whole life, probably around 5 years old, beginning in kindergarten, when my teacher held up my painting done in crayons to show the other students how to paint a sky. My mother was also an artist, and gave us drawing lessons around our kitchen table as a child. My mother did pastels, as well as my great grandmother, I still have a pastel I did of El Capitan in Yosemite she did in the 1920's.

Have you done any formal training?   No, I am self taught.

What artists have influenced or inspired you the most?
   Some local artists here in Northwest Arkansas, such as pastelist Jack Hetterich, I have also been inspired by Andrew Hemmingway, John Stuart Ingle,  Brian Davis and countless others whose work I enjoy in art books.

Is pastel the only medium you paint in?   Yes

       Trumpets Ole, pastel 32" x 22" 2004 Trumpets Ole, pastel

You use very vibrant color in your work.. have you always been attracted to color?   I get sucked into paintings because of color, and with pastel, there isn't another medium, in my opinion, that you can get such a richness, translucence and depth of color.

You paint flowers, still life & pets. What is your favorite subject?   The flowers, even though I love doing animals as well.

 



Over the years how has your work evolved in terms of subject matter or technique?  
I stopped doing the under painting, as with my blended style, I was covering it all up anyway, and I'm much more cognizant of the lighting, and composition, I believe.

Happy Together, pastel 33" x 22" 2005 SOLD       Happy Together, pastel

What's the most important consideration when starting your painting?   Making sure my original drawing to go by is correct. Your work calls for sharp edges and vibrant color. 


How do you achieve these amazing qualities?  
For the sharper edges, I use a lot of pastel pencils, as for the color, making sure I know where I'm going, value wise, and color wise, laying down the first layers.

What pastel and paper brands do you prefer?   I use a variety of pastels, but my work horses are NuPastels, pastel pencils, and my Unisons and Schminckes, as far as paper, I use Wallis Pastel Sand paper exclusively, I just love it because it accepts many layers of color, and will take a lot of punishment.

What would be your top tips for someone wanting to create strong bright work?   I believe the fewer layers of color used, and not making "muddy" color, which is the result of putting too light of color on top of a dark color, like black. Also having a plan on what color you want the final result to look like is important for strong, vibrant color. 


 

     Spotted Wonders , pastel 23 " x 15 " 2003 SOLD
Spotted Wonders, pastelYou received signature status from the Pastel Society of America, of New York, New York in 2004.   This is a very big complement.  Has this had an effect on the way you feel about yourself as an artist?   It is quite an achievement, and a real moral booster to your self worth as an artist. I love being able to put "PSA" behind my signature, it has really made me feel like I am an accomplished painter.

What advice would you give to a young artist who is just beginning an art career?   Never give up, The saying, "the harder you work, the luckier you get" is so true. Another thing that worked for me to help my art career is to treat this as a business. I set up accounting books for my art on my computer, that prints out reports and keeps track of all my art expenses and income. I have a separate checking account for my art and I try and set regular hours to paint, and not get distracted while I paint. Keep entering art competitions, it's a good monitor on how your art stacks up against others, and to get yourself known in your local area, join art clubs, meet other artists, and study a successful artist's paintings, what makes that art special? And paint, paint, paint to develop your own style.

 
What does the future hold for you and your art?   I have an article coming out in the August, 2006 edition of the Pastel Journal, called "Art in Bloom", and I am very involved in the limited edition print market. I was signed up by West Bay Fine Art, who are working to sell my prints and originals, and they have and will be instrumental to my success in the national art arena. I feel very confident that my art will continue to get better with each piece, and I'm constantly trying new color combinations and lighting situations, and composition, that make each piece more interesting. I don't think I will ever feel like I have "arrived" in the art field.

Birds of a Feather, pastel Birds of a Feather, pastel22" x 32" 2004       

Any last thought or comment you would like to make to beginner artists who may be finding it difficult to either find the time or the topic to paint?   Set aside a scheduled time if you can to paint, and pick a subject you love, and paint in a series, I know doing the flowers have never seemed redundant yet, but I've learned so much about painting doing the same subject.

 

You can see more of Julene's work at her personal web page on artspan.com.

She is also representation in North America by:

West Bay Fine Art
PO Box 1059
Missouri City, Texas 77459-1059
(281) 261-0656
   
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