 |
Liam
Murphy discovers an Artistic Treasure Trove. |
Canada |

 |
Click
images to enlarge.
Woodland
Trilliums, 12" x 16" acrylic on board $1800.00
The
brown parcel arrived in the late fall on my doorstep. It felt
like Christmas. It was over fifty large tubes of Winsor and Newton
Finity Artists’ acrylic paint and over a hundred varied
pure sable brushes. I was ecstatic with my treasure trove.
This
was my “bonus” for having my painting “YesterYear’s
Rose”, selected as one of five Canadian paintings for
the “My Country in the Year 2000”… Winsor &
Newton’s Worldwide Painting Competition. The worldwide selected
images then constituted an exhibition which showed in London ,
Stockholm , and at the United Nations, in New York .
|
| |
 |
I
love using Winsor and Newton paints.
During
my travels, when I come across a spectacular vista, I stop
in my tracks, do a quick pencil sketch on paper and promptly
transfer this to my gessoed board or canvas for later deliberation.
My hyper-realistic style allows me to capture a moment and
present it so that it often provides others with the same
sense of discovery that it evoked for me.
The
process begins as I recreate the rich and varied hues of
a Hawaiian seascape or a pristine Canadian lake. Finity
acrylic paints allow me to convincingly capture arresting
locations. I am constantly amazed at the ease of working
with these paints, because they allow me to effortlessly
mix and regenerate the exact colors that I observed on location. |
Incoming
Tide, 16" x 20" acrylic on board $2100.00
|
|
|

|
I
tend to use a varied Finity palette and my choice of colors
range thru’ Titanium White, Mars Black, Cadmium Yellow,
Yellow Ochre, Raw Sienna, Burnt Sienna, Burnt Umber, Phthalo
Green, Hookers Green, Cobalt Blue, Ultramarine Blue, Cadmium
Red, Cadmium Orange, Quinacridone Red, Dioxazine Purple and
Phthalo Blue Red Shade.
One
of the special effects that I often use is applying paint
with coarse wet sponges to create interesting backgrounds
prior to using my thicker pure sable Winsor and Newton brushes
to build up the realistic image. I love adding a little water
to the paint on my mixing palette and using a thick sable
brush to create soft translucent glazes that create an interesting
atmosphere. Finally, I use dampened 000 Series 707 Pure Sable
brushes to add all of the important details, using a minimal
amount of paint. |
Ala
Wai Tapestry, 16" x 20" acrylic on board $2100
|
Winsor
and Newton paints have helped me build an international
art career that has already surpassed my highest expectations.
|
Sadly
my brown parcel is now severely depleted and I have to replenish
my professional treasure trove. However, there’s one
thing that I have learned… Winsor and Newton are my
“jewels” of choice.
|
|
| |
Liam Murphy
painting in Muskoka, Ontario
For
more information about exhibitions and galleries that include
my artwork, please visit my web site at www.liammurphy.com
|
| |
Here
at Practical Painting we couldn't publish
Liam's article without showing you two of our favorite paintings..
the beautiful way Liam has captured the light and shadows of the
Autumn leaves in "Alert Chipmunk" and in his award winning
"YesterYear's Rose".. we loved the texture of the barrel
and shadows the roses cast on the fence. - Click on either
image to see larger versions.
| Alert
Chipmunk, 12" x16" inches acrylic
on board
 |
|
YesterYear's Rose, 18" x 24" acrylic
on board : Sold

|
|
| |
|