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Sketching:
Improving techniques and solving problems |

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Sketching
is a fast and easy way to start your drawing routine and is
invaluable in recording details for future painting projects.
But unfortunately sometimes even our sketches leave a lot to
be desired.
Here is a quick tutorial designed to get you better results
fast.. you may be encourage to pop your sketch book into your
bag more often when you leave the house or go on holiday.
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Paper
One
of the first areas we can look at is the paper you are using.
For the sketch above, a smooth 150g/m acid free cartridge paper
was used. Nice paper, but it doesn’t add anything to your
sketch. I would first recommend using some textured paper. This
will help with the lines we draw so they are not so smooth and
uniformed resulting in a lot more mood in our sketch.
Line
drawing practice
Beginners
tend to draw their images with only one or maybe two types of
line.. straight and thick & straight. We need to remember
that there are so many textures we will need to depict that we
will need more than this one type of stroke in our repertoire
to really get some sort of feeling in our sketch.
Before
you start on your pen/ink sketch try doing some pencil exercises
to get you familiar with using different strokes and ways of showing
the various parts of say, an old cottage like in our sketch.
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Drawing
windows
can sometimes be tricky. Trying to portray glass can be a challenge.
Try the exercise and rather than just drawing the window frames,
color the panes darker to give the window depth.
Also, make sure you draw in the window frames, not just a cross..
colored in or not.. this will make your windows much more realistic.
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Grass
doesn’t have to be just flicks of pencil randomly over
an area. Use a series of short upward strokes for “short
& trimmed” grass or lots of strokes on mass, with
your strokes going up, to the sides and sometimes down to depict
nice big clumps of “out of control” grass.
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Trees:
Using small strokes like you did making grass, use lots of directional
“pushed” strokes to create the foliage. Some dots
will also be needed here and there for the leaves that are directly
in front of you.
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Light
and darks:
You don’t always have to draw every object as a “positive”
image. Try drawing the "negative" space of trees and
bushes giving the impression of shadow and depth.
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Now
you are ready to begin your sketch.. Here are some other points
to keep in mind as you draw.
As
you are using textured paper don’t let it go to waste.
Let your pen “graze” over the paper to give hints
of line where needed and larger, tonal blocks..
Use
tonal washes to enhance shapes and shadows. Allow each wash
to dry completely before the next application. This way you
will be able to control depth of shadows within your work.
I used a warm brown tone for my wash. This helps give the sketch
a softer and an older feel.
Click
on the image below for a better look..
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